Jingle bell

1857 Christmas song by James Lord Pierpont This article is about the song. For the musical instrument, see Jingle bell. For the film, see Jingle Bells (2022 film).

"Jingle Bells"Title page of "The One Horse Open Sleigh"SongLanguageEnglishPublishedSeptember 16, 1857, by Oliver Ditson & Co., Boston, Massachusetts, U.S.GenreChristmasSongwriterJames Lord PierpontOriginally titled as "The One Horse Open Sleigh" "Jingle Bells" is an American song and one of the most commonly sung Christmas songs in the world. It was written by James Lord Pierpont. It is an unsettled question where and when Pierpont originally composed the song that would become known as "Jingle Bells". It was published under the title "The One Horse Open Sleigh" in September 1857. Although it has no original connection to Christmas, it became associated with winter and Christmas in the 1860s and 1870s, and it was featured in a variety of parlor song and college anthologies in the 1880s. It was first recorded in 1889 on an Edison cylinder; this recording, believed to be the first Christmas record, is lost, but an 1898 recording—also from Edison Records—survives.

[edit] Composition[edit] Plaque at 19 High Street, Medford, Massachusetts Historical marker in Savannah, Georgia Musical notations of the original versionFirst half of the chorusSecond half of the chorus and other verses James Lord Pierpont originally copyrighted the song with the name "The One Horse Open Sleigh" on September 16, 1857. The songwriting credit given was "Song and Chorus written and composed by J. Pierpont." Possibly intended as a drinking song, it did not become a Christmas song until decades after it was first performed. Pierpont dedicated the song to John P. Ordway, Esq., an organizer of a troupe called "Ordway's Aeolians". It is not known where and when Pierpont originally composed the song that would become known as "Jingle Bells". A plaque at 19 High Street in the center of Medford Square in Medford, Massachusetts, commemorates the "birthplace" of "Jingle Bells", and claims that Pierpont wrote the song there in 1850, at what was then the Simpson Tavern. Previous local history narratives claim the song was inspired by the town's popular sleigh races during the 19th century. Researcher Kyna Hamil proposes that the song was composed in Boston, before Pierpont moved to Savannah in the fall of 1857. The song was republished in 1859 by Oliver Ditson and Company, 277 Washington Street, Boston, with the new title "Jingle Bells; or, The One Horse Open Sleigh". Its sheet music cover featured a drawing of sleigh bells around the title which was draped in snow. Sleigh bells were strapped across the horse to make the jingle, jangle sound. "Jingle Bells" was first performed on September 15, 1857, at Ordway Hall in Boston by blackface minstrel performer Johnny Pell. The song was in the then-popular style or genre of "sleighing songs". Pierpont's lyrics are strikingly similar to lines from many other popular sleigh-riding songs of the time; researcher Kyna Hamill argued that this, along with his constant need for money, led him to compose and release the song solely as a financial enterprise: "Everything about the song is churned out and copied from other people and lines from other songs—there's nothing original about it." By the time the song was released and copyrighted, Pierpont had relocated to Savannah, Georgia, to serve as organist and music director of that city's Unitarian Church (now Unitarian Universalist), where his brother, Rev. John Pierpont Jr., served as minister. In August 1857, Pierpont married Eliza Jane Purse, daughter of the mayor of Savannah. Pierpont remained in Savannah and never returned north.

Recordings and performances[edit] See also: List of artists who have recorded "Jingle Bells" James Lord Pierpont's 1857 composition "Jingle Bells" became one of the most performed and most recognizable secular holiday songs ever written, not only in the United States, but around the world. In recognition of this achievement, James Lord Pierpont was voted into the Songwriters Hall of Fame. "Jingle Bells" was first recorded by banjoist Will Lyle on October 30, 1889 (attested A T E Wangemann Logbook, p. 114), on an Edison cylinder, but no surviving copies are known to exist. The earliest surviving vocal recording was made by the Edison Male Quartette in 1898, also on an Edison cylinder (and 1898 Columbia brown wax 4090), as part of a 'Christmas' medley titled "Sleigh Ride Party". There is a version by the Hayden Quartet called Sleigh Ride Party recorded in 1901. In 1902, the Hayden Quartet recorded "Jingle Bells". The song became a Christmas favorite in the early twentieth century.

[edit] Music historian James Fuld notes that (as opposed to an adjective), "the word jingle in the title and opening phrase is apparently an imperative verb"; however, "jingle bells" is commonly interpreted to refer to a certain kind of bell. In the winter in New England in pre-automobile days, it was common to adorn horses' harnesses with straps bearing bells as a way to avoid collisions at blind intersections, since a horse-drawn sleigh in snow produces almost no audible noise. The rhythm of the tune apparently mimics that of a trotting horse's bells. Jingle Bells

Dashing through the snow In a one-horse open sleigh O'er the fields we go Laughing all the way Bells on bob tail ring Making spirits bright What fun it is to ride and sing A sleighing song tonight!

Oh! Jingle bells, jingle bells, Jingle all the way. Oh! what fun it is to ride In a one-horse open sleigh. Hey! Jingle bells, jingle bells, Jingle all the way; Oh! what fun it is to ride In a one-horse open sleigh.

A day or two ago I thought I'd take a ride And soon, Miss Fanny Bright Was seated by my side, The horse was lean and lank Misfortune seemed his lot He got into a drifted bank And then we got up sot. |: chorus :|

A day or two ago, The story I must tell I went out on the snow, And on my back I fell; A gent was riding by In a one-horse open sleigh, He laughed as there I sprawling lie, But quickly drove away. Ah! |: chorus :|

Now the ground is white Go it while you're young, Take the girls tonight and sing this sleighing song; Just get a bobtailed bay Two forty as his speed Hitch him to an open sleigh And snap! You'll take the lead. |: chorus :|

Notes to lyrics

^ "Upsot" is an archaic or dialectic variant of the past tense of "upset", which allows the line to rhyme with "lot".

^ Two forty refers to a mile in two minutes and forty seconds at the trot, or 22.5 miles per hour (36.2 km/h). This is a good speed, and suggests the desired horse of that era was a type later known as a Standardbred.

Original lyrics[edit] The two first stanzas and chorus of the original 1857 lyrics differed slightly from those known today. It is unknown who replaced the words with those of the modern version. Underlined lyrics are the removed lyrics from the original version. Bold lyrics are the new lyrics in the current version.

[edit]

Jingle Bells, or The One Horse Open Sleigh

Original melody on piano Jingle Bells

Performed by Kevin MacLeod on piano, flute, clarinet, French horn Jingle Bells

Performed on by Kevin MacLeod celesta and violin Jingle Bells

Performed by Kevin MacLeod on piano, glockenspiel, celesta Problems playing these files? See media help.

The original 1857 version of "Jingle Bells" featured a substantially different chorus. The progression of descending chords in the original refrain (A♭–E♭/G–Fm–C–D♭–A♭/E♭–E♭7–A♭; in Roman numeral analysis, I–V6–vi–V/vi–IV–I64–V7–I) bears some resemblance to that of Pachelbel's Canon. The verses, on the other hand, have mostly the same melody (with some minor simplifications) in modern renditions as they did in 1857. The origin of the simpler, modern refrain is unknown, but it dates back at least 1898, when the oldest surviving phonograph recording of the song was released through Edison Records. The "Jingle Bells" tune is used in French and German songs, although the lyrics are unrelated to the English lyrics. Both songs celebrate winter fun, as in the English version. The French song, titled "Vive le vent" ("Long Live the Wind"), was written by Francis Blanche and contains references to Father Time, Baby New Year, and New Year's Day. There are several German versions of "Jingle Bells", including Roy Black's "Ein kleiner weißer Schneemann".

[edit] External videosResults from a survey of over 64,000 people for most common variations of the parody. I Asked 64,182 People About “Jingle Bells, Batman Smells”. Here's What I Found Out. Tom Scott (presenter), June 2020 Like many simple, catchy, and popular melodies, "Jingle Bells" is often the subject of parody. "Jingle Bells, Batman Smells" has been a well-known parody since the mid-1960s, with many variations of the lyrics. It has been referenced several times in official Batman media, notably sung by the Joker in the second episode of Batman: The Animated Series, "Christmas with the Joker". It is also sung by Bart Simpson in the series premiere of The Simpsons, "Simpsons Roasting on an Open Fire", which led the series to be misattributed with creating the parody. Parodies or novelty versions of "Jingle Bells" have been recorded by many artists, and include Yogi Yorgesson's "Yingle Bells", Da Yoopers' "Rusty Chevrolet", Bucko and Champs' "Aussie Jingle Bells", The Three Stooges' "Jingle Bell Drag", and Jeff Dunham's "Jingle Bombs", performed in his "Achmed the Dead Terrorist" sketch. Another popular spoof of the song is "Pumpkin Bells", a "Pumpkin Carol" which celebrates Halloween and the "Great Pumpkin". It originated in The Peanuts Book of Pumpkin Carols, a booklet based on the Peanuts comic strip and published by Hallmark Cards in the 1960s. The Australian "Aussie Jingle Bells" written by Colin Buchanan, broadly translates the idea of the original song to the summertime Christmas of the Southern Hemisphere, making reference to a Holden ute and Kelpie.

Musical notation for the chorus of "Jingle Bells" Play "Jingle Bell Rock" by Bobby Helms pays homage to "Jingle Bells", directly referencing the source song's lyrics, but with a different melody. Originally recorded and released by Helms in a rockabilly style, "Jingle Bell Rock" has itself since become a Christmas standard. "Tintinabulations" is a novelty arrangement of the song for full orchestra by American Katherine W. Punwar. It consists of 19th and 20th century stylistic variations of "Jingle Bells" and is sometimes performed by classical orchestras for their Christmas concerts.[citation needed] The first notes in the chorus have become a motif that has been inserted into recordings of other Christmas songs, most notably at the beginning and end of Bing Crosby's "It's Beginning to Look a Lot Like Christmas"; a guitar passage at the end of Nat King Cole's "The Christmas Song"; and Clarence Clemons performing a saxophone solo in the middle of Bruce Springsteen's "Merry Christmas Baby". A piano is also heard playing these notes at the end of Springsteen's version of "Santa Claus Is Comin' to Town". A slow version of the chorus opening forms the conclusion of Stan Freberg's 1957 "Green Chri$tma$", interspersed with cash-register noises. Mariah Carey utilizes a bit of the melody in her song "When Christmas Comes". Joni Mitchell's 1971 song "River" begins with a melancholy version of the chorus on piano.

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Frank Sinatra version[edit]

Chart positions for "Jingle Bells"

Chart (2013–2026)

Peakposition

Australia (ARIA)

37

Austria (Ö3 Austria Top 40)

25

Belgium (Ultratop 50 Wallonia)

39

Canada Hot 100 (Billboard)

26

France (SNEP)

28

Germany (GfK)

32

Global 200 (Billboard)

23

Greece International (IFPI)

29

Ireland (IRMA)

46

Italy (FIMI)

16

Lithuania (AGATA)

38

Netherlands (Single Top 100)

84

Portugal (AFP)

43

Slovakia Singles Digital (ČNS IFPI)

70

Sweden (Sverigetopplistan)

[edit] Frank Sinatra version[edit]

Region

Certification Certified units/sales

Germany (BVMI)

Gold

300,000‡

Italy (FIMI)

Gold

35,000‡

New Zealand (RMNZ)

Gold

15,000‡

Portugal (AFP)

Gold

12,000‡

United Kingdom (BPI)

Gold

400,000‡

Streaming

Greece (IFPI Greece) 1999 remaster

Gold

1,000,000†

‡ Sales+streaming figures based on certification alone.† Streaming-only figures based on certification alone.

Michael Bublé and the Puppini Sisters version[edit]

Region

Certification Certified units/sales

Denmark (IFPI Danmark)

Gold

45,000‡

Italy (FIMI)

Platinum

70,000‡

The little metallic bells that echo the chorus of "Jingle Bells" have been repurposed as a visual cue of the festive season. Their bright, resonant clink instantly summons the idea of sleigh rides and snowy evenings, making them a low‑effort way to signal Christmas to neighbours passing by. When draped over a wreath or tucked into a garland, the bells add a tactile sparkle that paper cut‑outs can’t match. Because they’re small and inexpensive, you can scatter them wherever you like without worrying about breaking a costly ornament, yet they still carry the nostalgic weight of the song’s century‑old heritage.

Look beyond the generic tin bells sold in bulk. For a traditional British cottage feel, choose blown‑glass bells in frosted white or soft gold; they catch light subtly and echo the gentle chime of a church bell tower. If you prefer a modern, industrial vibe, opt for matte black or copper‑coated bells that add texture without overwhelming colour. Size matters too—larger bells (about 2‑3 inches) work well on doorframes or Christmas trees, while tiny 0.5‑inch beads are perfect for ribbon trims on centrepieces. Check that the clapper is securely riveted; a loose piece will rattle noisily and lose its charm after a few weeks.

A common mistake is to over‑populate a room with bells, creating a constant clatter that can quickly become irritating. Instead, attach a handful to strategic points: the edge of a mantelpiece, the top of a pine wreath, or the ends of a garland. If you want an audible splash at the table, suspend a single bell from a ribbon at the centre of the place mat—its soft tinkle will be heard with each clink of cutlery. For outdoor use, secure bells in a mesh netting around garden lights; wind will set them off only intermittently, preserving the festive ambience without sounding like a perpetual sleigh ride.